Unhappy perhaps is man, but happy the artist torn by desire!
I am consumed by a desire to paint the woman who appeared to me so rarely and who so quickly fled, like a beautiful regretted thing the voyager leaves behind as he is carried away into the night. How long it is now, since she disappeared!
She is beautiful and more than beautiful; she is surprising. Darkness in her abounds, and all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery dimly glistens, and like a lighting flash, her glance illuminates: it is an explosion in the dark.
I have compared her to a black sun, if one can imagine a black star pouring out light and happiness. But she makes one think rather of the moon, which has surely marked her with its portentous influence; not the white moon of idylls which resembles a frigid bride, but the moon torn from the sky, the conquered and indignant moon that the Thessalian Witches cruelly compel to dance on the frightened grass!
That little forehead is inhabited by a tenacious will and a desire for prey. Yet, in the lower part of this disturbing countenance, with sensitive nostrils quivering for the unknown and the impossible, bursts, with inexpressible loveliness, a wide mouth, red and white and alluring, that makes one dream of the miracle of a superb flower blooming on volcanic soil.
There are woman who inspire you with desire to conquer them and to take your pleasure of them; but this one fills you only with the desire to die slowly beneath her gaze.
When you were here before, couldn't look you in the eye. Just like an angel, your skin makes me cry. you float like a feather, in a beautiful world. wish I was special. you're so very special.
and I'm a creep I'm a wierdo What the hell am I doing here? I don't belong here.
I don't care if it hurts. I want to have control. I want a perfect body. I want a perfect soul. I want you to notice when I'm not around. You're so very special I wish I was special
But I'm a creep I'm a wierdo What the hell am I doing here when I don't belong here Woah, woah
she's runnin out again she's running out she--run--run---run runs Run. Whatever makes you happy whatever you want youre so very special I wish I was special
but I'm a creep I'm a wierdo What the hell am I doing here? I don't belong here. I don't belong here.
Would you help me pack my bags, I might be leaving I need some sweet assistance while 'm stealing Some of your time I hope that's fine
And I've got photographs of all, you're all I'm needing Forgiveness if I left you all believing That I'm the one 'cause I feel like none And I need something to direct me to it
'Cause I'm a frequent flyer, a notorious liar But I can't get close enough I never get close I can't get close enough
I would love to tell my story from the ending But the story's getting thin from heavy spending And I need my man, and I need a fence And I need someone to protect me from the wrench
I'm a frequent flyer, a notorious liar But I can't get close enough I never get close I can't get close enough to the ending
I can't get close enough I can't get close enough To the sun
I'm a frequent flyer, a notorious liar But I can't get close enough I never get close I can't get close enough... it seems
It's such a sad old feeling the fields are soft and green it's memories that I'm stelaing but you're innocent when you dream when you dream you're innocent when you dream
Cold ways kill cool lovers Strange ways we used each other Why won't you fall back in love with me? There ain't no way we're gonna find another The way we sleep all summer So why won't you fall back in love with me?
Combing over Broken Cross I held on you Haunted by the ghost of something new
My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals.
My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Others on lengthy wanderings to the darksome poets are forced to fare; must always be asking a traveler if he's not seem one singing there or laying his hands on strings. Only girls will never ask what bridge leads to images; will smile merely, brightlier than necklaces of pearl against silver bowls unfurled.
All doors from their lives are entrances into a poet and into the world.
no, no, no, no, noise a new song untitled. words on invisible lines ripped from the dotted line. ads on walls, ripped corners four sides. riptide monuments wash ashore rest assured.
ursula: painting and magical powers seem very much the same. sometimes i’m unable to paint a thing.
kiki: you mean it? then what happens? without even thinking about it i used to be able to fly. now i can’t even begin to remember how i ever managed to do it.
ursula: at times like that, you know what i do? paint. that gets rid of my frustration.
kiki: but still if i can’t fly..
ursula: then stop trying. take long walks, look at the scenery, doze off at noon dont even think about flying. then suddenly you’ll be able to fly again.
I saw myself climbing out through the driver seat window. It was the strangest thing to see in your peripheral view. I was driving, so I pulled over to the side of the road. I sat there for a moment, expecting what of the thin air?
It could have been an ordinary morning but now it's a morning emblazoned deep into the grey matter of the brain itself. If only I could find the exact spot where it lies I would dig in with a scalpel or anything sharp and sterile for that matter and cut it out while whistling a pleasant tune, light and airy.
What is it that we feel we are owed when our jaws clench and the eyes twitch and the muscles in the neck jerk? The finger tips and palms rubbing up against one another with a rhythm that could only be described as maniacal because there is something so unsettling and unintentional in it. Not praying, nor praising nor begging then what says it?
I know you've suffered but I don't want you to hide
It's cold in lovers; I won't let u be denied, The soon then, I'll make u feel pure And trust me, you can be sure
I want to reconcile the violence in your heart I want to recognize your beauty is not just a mask I want to exorcise the demons from your past I want to satisfy the undisclosed desires in your heart
you trick your lovers that you're wicked and divine, you may be a sinner, but your innocence is mine
Please me Show me how it's done Tease me You are the one
I want to reconcile the violence in your heart I want to recognize your beauty is not just a mask I want to exorcise the demons from your past I want to satisfy the undisclosed desires in your heart
Please me Show me how it's done Trust me you are the one
I want to reconcile the violence in your heart I want to recognize your beauty is not just a mask I want to exorcise the demons from your past I want to satisfy the undisclosed desires in your heart
I love the sound of the train outside my window I think I am falling in Love with you I mean, I am in love with you, and I'm falling
We're going to watch the sunrise one morning over our city with a beer in our hands and cold breakfast burritos shedding pieces of egg and cheese on the tracks under our dangling feet
The beer was your idea and the breakfast burrito was a bad idea The look on your face after the first bite, I can't believe you ate all of it
I'm sipping on the beer but getting drunk off the air You have a piece of something on the left corner of your mouth I think, kissing you would be perfect
"Ever since I began writing this book, which is completely devoted to the cult of a dead person with whom I am living on intimate terms, I have been feeling a kind of excitement which, cloaked by the alibi of Jean's glory, has been plunging me into a more and more intense and more and more desperate life, that has been impelling me to greater boldness. And I feel I have the strength not only to commit bolder burglaries but also to affront fearlessly the noblest human institutions in order to destroy them. I'm drunk with life, with violence, with despair."
February through August I listened to the clock watch serenade. The tick, the tock, the sinking of Titanic all came and went again.
I would understand better, I thought, if forgetting happened to forget me.
I love your eyes that mimic freshly baked croissants from the patisserie or the golden brown yam and goat cheese empanadas I'm craving now.
They're beautiful, the quiet giggle under your breath, and delightfully mischievous, smirking around the outer edges for that perfect and decisive curve up where the brush lifts off satisfied "voilà!"
voilà!
This was Chicago. I'm in my salt crusted black jeans behind you. Walking up the stairs, your thighs are the cruelest set I'd ever seen.
I could watch internet porn for hours or go do something productive. But what's more productive than sex? Even if it's other people having it.
I'm sending you signals. But they keep bouncing off roof tops, and falling to the bottom of the Pacific Ocean. There's no life down there. What good are words?
You're still pretty. But not as beautiful as when I had a chance.
"I am mainly preoccupied with the world as I experience it, and at times when I would rather be dead the thought that I could never write another poem has so far stopped me. I think this is an ignoble attitude. I would rather die for love, but I haven't."
In love with You at Age 6
I think the lines should come out through the back (and open up) so there's a visual balance. But for now, this is fine.
I was looking for Korean poetry on-line and stumbled upon a beautiful poem-
Separation is Beauty's Creation
Separation is beauty's creation. Separation's beauty is in the intangible yellow-gold of morning and the textureless black silk of evening and eternal life's deathlessness and even in the unwithering sky's blue blossoms lacking. You. If it were not for separation, I would be unable to die in tears and live again in laughter. Oh, oh! Separation. Beauty is separation's creation.
Manhae Han Yong (1879~1944)
이별은 美의 創造
이별은 美의 創造입니다. 이별의 美는 아침의 바탕 없는 황금과 밤의 올 없는 검은 비단과 죽음 없는 永遠의 生命과 시들지 않는 하늘의 푸른 꽃에도 없습니다. 님이여, 이별이 아니면 나는 눈물에서 죽었다가 웃음에서 다시 살아날 수가 없습니다. 오오, 이별이여. 美는 이별의 創造입니다.
만해 한룡운 (1879~1944)
Also in the process stumbled upon a nice blog featuring Korean poems both in English translation and in original Korean. Check it out here.
Separation is beauty's creation/Beauty is separation's creation. This leaves me speechless...
Michelle Jane Lee’s art is minimalist in form yet muscular in content. There is a complexity, density; to put it simply, there is a lot of heart in her often times sparse drawings and paintings.
She is about going back to the moment of childhood possibility before our imaginations become impoverished and our options seemingly circumscribed. Her work reminds us that things could be different, if only we are brave enough to embrace the free fall, letting go of all of our prosthetics that keep us from realizing our freedom.